Continuing the project I introduced here.
Sketched layers of hell. Need a kinetic impression of Bosch's visions of hell, without overpowering the actors on stage. Problem: Bosch's painting are so fussy that if I borrow directly from them, it'll take all the attention away (plus look stupid). This starts to give shape to some common Bosch-y hell-y ideas. I'll keep these separate and see what I can make them do in aftereffects.